Cannonball with Wesley Morris

While the “Cannonball” team is on a short break, Wesley is recommending some notable conversations he’s listened to lately from other New York Times shows. This week, it’s an episode of “Modern Love,” featuring host Anna Martin talking with Zendaya and Robert Pattinson. They dig into the complicated relationship at the core of their new film, “The Drama,” and consider how much they actually want to know about their real-life romantic partners.

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Every spring, Wesley Morris finds himself searching for music that captures the light and breezy feeling that comes with the end of winter. This year, there’s an obvious soundtrack to the season: Harry Styles’s new album, “Kiss All the Time. Disco, Occasionally.”

“These songs are like 12 beautiful little flowers,” Wesley says. “They’re not supposed to last forever. They’re just supposed to last for the season. And six weeks, that is a perfect amount of time for these songs to just blossom in your ears.” Subscribe today at nytimes.com/podcasts or on Apple Podcasts and
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The latest from the Ryan Murphy television fun house is an unquestionable hit. It’s also a ’90s nostalgia bomb. People are trying to eat, shop and dress like John F. Kennedy Jr. and Carolyn Bessette. They’re obsessed.

But with what, exactly? Because at first, “Love Story” has all the hallmarks of a ’90s sitcom — a young working woman in the city, enjoying her freedom till a meet-cute with the one. Only in Murphy’s version, that’s the moment this turns into another one of his American Horror stories. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and
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Wesley Morris is an unabashed believer in the Oscars. That they genuinely matter.

Every year, he has to re-convince his friend, Sasha Weiss, the culture editor for The New York Times Magazine. This year, of course, there’s the “One Battle After Another” versus “Sinners” of it all. And there’s a lot there. But also, what happened to “Marty Supreme” and poor Timothée Chalamet? And is it possible that “KPop Demon Hunters” took home Best Animated Feature Film and Best Original Song and still, somehow … got robbed? Subscribe today at nytimes.com/podcasts or on Apple Podcasts and
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This is one of those “who knows what’s going to happen” years at the Oscars. And maybe the biggest question of the night is which movie will dominate: “Sinners,” with its record 16 nominations, or “One Battle After Another,” which is right behind with 13.

One is a vampire movie set in the Jim Crow South, featuring not one but two Michael B. Jordans. The other imagines a leftist revolutionary outfit led by Black women — Teyana Taylor! — facing off against a racist, sexist, authoritarian government.

No matter what, we’re talking about a pretty exciting night — including for many Black people. But you know how it is with race and the Oscars. It is never that simple.

Because there are some people who are not rooting for Paul Thomas Anderson’s version of Black feminist-driven revolution. And a lot of those people are Black feminists themselves. Including Wesley’s dear friend, the scholar Daphne A. Brooks. After leaving the theater, she sent him a text calling it “a Black feminist 911 emergency.”

So before the biggest awards of the industry are handed out, Wesley invites Daphne on the show to ask her, “What’s the 911 situation here?” Subscribe today at nytimes.com/podcasts or on Apple Podcasts and
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