Front Row

Baz Luhrman's newest film is recently rediscovered footage showing Elvis Presley, live in concert at the height of his fame. We speak with Baz about his continuing love for The King.
75 years of The Archers; Emma Freud and Archer's editor Jeremy Howe discuss the world's longest running soap opera and how the programme has dealt with the attack on George Grundy.
London's Royal Court Theatre is famous for productions that caused stir – Look Back in Anger, Saved, Blasted, The Rocky Horror Show. Its work may still be angry, but the theatre is no longer young, and its new director, David Byrne, has recently announced its 70th Anniversary Season. He talks to Samira Ahmed about his vision for this ‘writers’ theatre’, and its latest production, which might cause a stir, too - The Shitheads.
Peter Bradshaw reports from the Berlin Film Festival - what's good, what's not-so-good, and what's making headlines.
Presenter: Samira Ahmed

Anne Brontë biographer Samantha Ellis and writer Stephanie Merritt join Tom to discuss Emerald Fennell's racy adaptation of Wuthering Heights starring Margot Robbie.
They also review Adolescence co-writer Jack Thorne's BBC adaptation of William Golding's Lord of the Flies.
After a 35 year campaign, the South Bank Centre has secured Grade II listing. Former Artistic Director Jude Kelly and architecture historian Barnabas Calder talk about whether we're learning to love Brutalism.
Finally, Samantha, Stephanie and Tom have read James Meek's book Your Life Without Me, which is concerned with the competing claims of the old and the new, in both architecture and life.
Presenter: Tom Sutcliffe
Producer: Claire Bartleet

LIsa McGee on her fresh spin on the murder mystery genre How To Get to Heaven from Belfast, and on the impact of the Derry Girls phenomenon.
At this month's Grammy Awards, Olivia Dean, Lola Young and FKA Twigs - all alumni of The Brit School in Croydon - walked off with prizes. We speak to the school's Principal, Stuart Worden, about how the school prepares students for a career in the music industry.
And as the world premiere of The Great Wave, a new opera inspired by Hokusai's iconic print, takes place, composer Dai Fujikura talks to us about the man behind the art, and writer Fi Leith discusses the cultural love affair between Scotland and Japan.
Presenter: Kirsty Wark
Producer: Mark Crossan

The creator of Yes Minister - Jonathan Lynn - on his new play I’m Sorry Prime Minister. Griff Rhys Jones plays Jim Hacker, the octogenarian former Prime Minister. Clive Francis plays civil servant Sir Humphrey in this elegiac comedy which draws the saga to a close.
Inside Aardman is a new exhibition opening at the Young V&A this week to mark the 50th anniversary of the creative company who have brought plasticine stop-motion animation to a global stage in the form of Wallace and Gromit. Tom is joined by stop-motion animator and director Joseph Wallace and Jez Stewart, curator of animation for the BFI National Archive to discuss the exhibition and the state of stop-motion animation today.
And director Amy Berg talks about her archive rich documentary It's Never Over about the late singer Jeff Buckley.
Presenter: Tom Sutcliffe

Hollywood star Kristen Stewart talks about her directorial debut, The Chronology of Water, which is a searing portrait of childhood abuse and redemption that’s based on the life story of author Lidia Yuknavitch.
Seurat and the Sea is a new exhibition opening at London’s Courtauld Gallery.
It features 26 paintings and sketches - many of which haven’t been seen together since they were created - that show the pointillist painter’s love for depicting the coast of northern France.
Bad Bunny has made headlines in the last week for his outspoken political comments following his victory at the Grammys, as well as his historical performance at last weekend’s Super Bowl. Radio 1xtra’ s Fee Mak explains what it is about Bad Bunny’s music that makes him Spotify’s most streamed artist in the world.
Here There are Blueberries is a play inspired by the discovery of an album of snaps of workers relaxing and enjoying time off. But these are the staff of Auschwitz. Writer and director Moises Kaufman explains why and how he and co-writer Amanda Gronich created their extraordinary and timely drama.
Presenter: Samira Ahmed
Producer: Julian May