The New Society | culture from the New Statesman

Despite KPop Demon Hunters becoming Netflix’s most-watched film in history and dominating music charts for months, it’s also the kind of cultural phenomenon many people might never have encountered.

The animated musical feature has been cleaning up at awards season and this weekend it could pick up two Oscars.

In this episode of the New Society, we discuss how the film became a global hit and the rise of K-pop and fandom culture.
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If you’ve ever taken a random walk around the block to push your step count to 10,000… rushed through a lesson on Duolingo to keep your streak alive… or checked a post one more time to see if the likes have ticked up - you’ll know the quiet power of the score.

Philosopher C. Thi Nguyen thinks modern life is increasingly organised around scores, rankings, targets, dashboards, and that these numbers don’t just track what we value. They quietly replace it. In his new book, The Score, he asks a simple question: how did we all end up playing someone else’s game, and how do we stop?

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In 2014, Helen Macdonald published H is for Hawk - a book that arrived, at least on the surface, as a memoir about grief: the death of their father, and Macdonald's decision to train and live with a goshawk in the aftermath.

It was nature writing, literary biography, cultural history, and a deeply personal account of what happens when someone steps sideways out of ordinary life and into something more feral. Readers found their own stories in it about parenthood, identity, politics, and the uneasy relationship between the human world and the wild.

More than a decade on, that story has taken another form.

You can read more from Helen Macdonald here

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For one of the most famous historians in Britain, conquering the past is not enough.

This month, alongside co-host Tabitha Syrett, Dominic Sandbrook is launching a new podcast - this time shifting his focus from history to literature.

Tanjil Rashid sat down with Sandbrook to talk about this new venture, what he’s reading (he insists it’s a balanced diet) and why reading still matters, not just to us as individuals, but to the health of society itself.

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Wuthering Heights is a story that has been told and retold, adapted and reinterpreted so many times since publication in 1847.

Every generation seems to rediscover Emily Brontë’s ever-enduring novel, and every generation seems convinced it finally understands it.

Now, it’s British filmmaker Emerald Fennell’s turn. And once again, we’re left asking: is this a love story, a ghost story, a story of obsession, or something stranger that refuses to settle into any single interpretation?

Tanjil Rashid is joined by Lucasta Miller.

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