Cheap tickets, warm beer, draughty halls and refectories, a whole new cobbled-together rock circuit was born in the â60s for an audience who watched and listened intently. Which allowed the music to take a different route. Paul Sexton spoke to Mark Knopfler, Nick Mason, Justin Hayward, Phil Manzanera and many others to piece together âRock Goes To College: the Campus Music Scene That Shaped A Generationâ and talks to us here about the fans and amateurs who ran it and the lost world of motorway caffs and Ford Transits, stopping off at âŠ
⊠Hendrix, Fairport, Free, Queen, Dire Straits: tales of the campus gig foot-soldiers
⊠no security, no lightshow, no seat, no stage: how the idea of live entertainment changed in 50 years
⊠Pink Floyd not being allowed front-of house in Top Rank theatres without a tie
⊠the Stranglers and the Damned refusing to play college shows âunless townies were allowed inâ
⊠the âchart clauseâ - ÂŁ50 extra if a bandâs in the Top 3!
⊠the Stones playing an Oxford ball
⊠bands market-researching songs before recording them
⊠why Leeds could afford the Who and Leonard Cohen
⊠what Harvey Goldsmith, Paul Conroy and Chris Wright learnt from booking bands
⊠why Wings chose the college circuit
⊠and the arrival of DJs and disco that put a nail in the college gig coffin, âa golden age with nothing like it before or afterâ.
Order âRock Goes To Collegeâ here: https://www.amazon.co.uk/Rock-Goes-College-campus-generation/dp/0008722412/ref=tmm_hrd_swatch_0?_encoding=UTF8&dib_tag=se&dib=eyJ2IjoiMSJ9.EWpbXfJjfIq6DOGDGU8HMQMTbZ6fxtMSFJLLqnswcYo.7mGYWOOBglb6F5p42gs88d1lJ0uLxzWS4w3W0vPrwN0&qid=1775764128&sr=1-1
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