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PoddsändningarMusikWord In Your Ear

Word In Your Ear

Mark Ellen, David Hepworth and Alex Gold
Word In Your Ear
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  • The best songs written in seconds, Lennon’s legs and Springsteen’s chimes of freedom.
    Slapping the beanburger of news on the sizzling grill of scrutiny and served with relish by Alex Gold and Mark Ellen (David’s in Spain with his bucket and spade). This week’s specials include … … Springsteen’s unprecedented speech onstage in Manchester about his nation’s “corrupt, incompetent and treasonous administration” and the Dixie Chicks’ career-popping anti-Trump manoeuvre of 2003. … John Niven’s upcoming play ‘The Battle’ and the Blur/Oasis soundclash it celebrates. … the 50th anniversary of the Stones’ (I Can't Get No) Satisfaction: from motel bed to finished recording in six days. … “Lennon’s all about the legs”: the art of playing the Beatles, Keith Richards and all four of the Small Faces onstage (involves “ducking, bobbing and dipping”). … brilliant songs written in seconds – by Lady Gaga, the Beastie Boys, James Brown and the White Stripes. … the tour circuit and the trouble at borders. … “the sound of dental floss being pinged by a squirrel”: Bill Bailey’s impression of the Edge with a power failure. … Elvis v Cliff, Beatles v Stones, Hendrix v Clapton, Bowie v Bolan, Clash v Pistols, Duran v Spandau, Blur v Oasis: what was the last great rock rivalry? ... and Elvis Costello’s inspired use of the Ansaphone.Fast Show clip ‘Mr Wells’:https://www.youtube.com/watch?v=9FRAeFyBX1wHelp us to keep the conversation going by joining our worldwide Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
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  • Dennis Greaves, Nine Below Zero – old-school R&B, police and thieves and the agony of white clogs
    Dennis Greaves took a week off from Nine Below Zero in 1980 but otherwise kept his nose firmly applied to the grindstone. They broke up in 1983 when he formed the Truth, who broke up in 1989 when he rebooted the old band. He looks back here at the first gigs he ever saw and played – a world with the attractive scent of spilt beer and tobacco – stopping off at various points, among them … … why blues and R&B flourished in South London, police and villains drinking together at the Thomas A Becket and the folklore of the Old Kent Road. ... the great advantage of never having a hit. … taking his parents to see Chuck Berry in 1972. ... the lasting appeal of R&B in a world of processed music. … what he learnt from Glyn Johns when he produced them at Olympic Studios, “the man who invented phasing with Itchycoo Park”. … buying singles at A1 Records in Walworth – “Progressive, Reggae, Artists A-Z …” … seeing Blackfoot Sue and Scarecrow on the pub circuit, and the Groundhogs and Rory Gallagher at the Rainbow. … Pete Townshend watching Nine Below Zero from the wings - “you remind me of us in the ‘60s”. … seeing the Jam 11 times – “900 people in a 400 capacity venue!” … “getting gyp is good as you learn how to control an audience.” … 2am service station food and how touring has changed in 45 years. ... performing in the pilot for The Young Ones in 1982. … “the song you should study for A-Level Pop”. … memories of Mylone LeFevre, Capability Brown, Sonny Terry & Brownie McGee, BB King, Muhammad Ali, Henry Cooper, Uriah Heep, The Little Roosters, Deep Purple, Gary Moore, Greg Lake, Love Sculpture, Free, the Fabulous Thunderbirds, Stevie Ray Vaughan, Alvin Lee, Dr Feelgood and Charlie McCoy playing Lady Madonna on the harmonica on the Val Doonican Show … … and the greatest record ever made! Nine Below Zero tickets and tour dates here: https://www.ninebelowzero.com/tourHelp us to keep the conversation going by joining our worldwide Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
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  • Peter Capaldi’s life in a teenage Glasgow punk band and a public apology to the Cocteau Twins
    Peter Capaldi – aka Malcolm Tucker, Dr Who, the universal screen delight and an Oscar-winning film director – was the singer in the punk band the Dreamboys in the late ‘70s who put out a single when he was at the art school in Glasgow. And then became an actor. And then - in the grand tradition of actors who’ve made albums, Hugh Laurie, Scarlett Johansson, Jeff Bridges and Keanu Reeves among them – released St Christopher in 2021. He’s just recorded a second, Sweet Illusions, and talks to us in this extremely funny and entertaining pod about … … how his sole motivation was “a burning desire to be on the telly”. … the difference between fronting bands and being in plays. … how he grievously stitched up support band the Cocteau Twins at a gig in Grangemouth. … a teenage love of Slade - “a bit terrifying but still a bit safe”. … first-hand evidence of the connection between Blakey from On the Buses, Adolph Hitler and Beatles. … “you have to write a hundred songs before you can write a good one”. … arriving at art school in ’76 a Neil Young fan and his overnight transformation – “peroxide hair, PVC trousers and bright red crepe sole shoes”. … seeing Simple Minds at the Mars Bar in Glasgow, Jim Kerr with his Shakespearian haircut, “strange, powerful, imaginative, post-glam”. … forming the Dreamboys and “trying to be big, clever and Kafka-esque”. … the stigma of being virtually the only band in Glasgow not to get a John Peel session. … writing the “bizarro pulp” lyrics for the Dreamboys – “we couldn’t decide if we were the Cramps or Talking Heads”. … what’s required, “apart from a terrible Scouse accent”, in playing John Lennon onstage and George Harrison onscreen. … auditioning (comedian, actor, TV host) Craig Ferguson as the band’s drummer. … how Bill Forsyth launched his acting career: “one minute you’re supporting Altered Images, the next in a movie with Burt Lancaster”. … forming a duo with Keanu Reeves when filming Dangerous Liaisons in Paris – powdered wigs in the daytime, guitar/bass punk-thrash at night. .. the romantic Edward Hopper charm of Glasgow in the ‘70s - proto-goths, street lights, rain. … how Dr Robert of the Blow Monkeys and four months filming The Suicide Squad in Atlanta spurred him into writing songs. … the greatest record of all time. Order the Sweet Illusions album here:https://shop.lastnightfromglasgow.com/products/peter-capaldi-sweet-illusions-vinyl-lp-cd-lossless-dlHelp us to keep the conversation going by joining our global Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
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  • Alan Parsons – from the rooftop of Savile Row to Pink Floyd, Steve Harley and some singing pigs
    The teenage Alan Parsons was hired as a tape op by EMI and worked with the Beatles, Pink Floyd, Steve Harley, orchestras, comedians, Pinky And Perky and countless others in the control room at Abbey Road, and saw almost 60 years of technical revolution. He’s just finished a 50th anniversary box set of Harley’s the Best Years Of Our Lives and talks here from his Santa Monica home studio about … … the things you find buried in old recordings. … how AI will allow anyone to remix their favourite record. … the miraculous transformation of Make Me Smile (Come Up And See Me) from a vindictive dirge to a No 1 pop hit, its backing vocalists and its DJ-baffling false ending. … cutting the tape with John Lennon to end I Want You (She’s So Heavy). … seeing himself - ‘in an orange shirt and black knitted tie’ - in the Get Back movie 52 years later. ‘It proves I was there!’ … recording the clocks, footsteps and airport announcer for The Dark Side Of The Moon - ‘playing Abbey Road studios as an instrument’. … recording He Ain’t Heavy, He’s My Brother with Reg Dwight on piano. … the magical ‘60s technology that made Pinky And Perky. … opening the door at Savile Row and first seeing the Beatles and all their girlfriends. … recording Pilot, the Hollies and the Joe Loss Orchestra. … the story of Clare Torry and The Great Gig In The Sky. … Abbey Road recordings stored at a nearby squash court. … working with David Gilmour on an Earls Court show from the 1990s. … touring with the Alan Parsons Project (who never toured originally). … why Papa Was A Rollin’ Stone is the greatest record of all time (clue: the hi-hat and bass figure). Pre-order Steve Harley’s ‘The Best Years of Our Lives’ here:https://SteveHarley.lnk.to/TBYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
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  • Mom Rock v Dad Rock, the Oasis rumour mill and Kanye West’s devious dentist.
    Perched outside the Vatican Of News awaiting puffs of white smoke, which this week arrive in the following fashion … … Brandi Carlile’s Mothership Weekend and her genius for publicity. … Jim Morrison is alive and living in Syracuse, New York!: barrel-scraping new rock documentary incoming. … Hip Hop Wealth v Rock Wealth: the $57m house Kayne West bought, gutted and left to disintegrate. … real or fictional ‘religious’ musicians – Saint Pepsi, Cardinal Rex, Pope Plastique, the Reverend Horton Heat? …. Lady Gaga at Cobacabana Beach and is there anywhere in the UK you could feasibly hold a concert for two million people? … “Crafting smiles for today’s legends’: Kayne West’s devious dentist. … is Elvis still ‘sighted in Brent Cross Shopping Centre’? … the Noel Gallagher sunglasses range! The ‘She’s Electric’ train route to Wembley!: the eternal churn of the Oasis rumour mill. … the life and luck of Peter Capaldi, one minute supporting Altered Images, the next in a movie with Burt Lancaster. … is there music for everyone anymore or is it all repackaged for subsects of the population? … ‘the towering gates of Sean Combs' estate have flaming torches burning day and night’.Help us to keep the conversation going by joining our Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
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Om Word In Your Ear

Mark Ellen and David Hepworth have been talking about and writing about music together and individually for a collective eighty years in magazines like Smash Hits, Mojo and The Word and on radio and TV programmes like "Rock On", "Whistle Test" and VH-1.Over thirteen years ago, when working on the late magazine The Word, they began producing podcasts. Some listeners have been kind enough to say these have been very special to them. When the magazine folded in 2012 they kept the spirit of those podcasts alive in regular Word In Your Ear evenings in which they spoke to musicians and authors in front of an audience. Over these years they've produced hundreds of hours of material. As of the Current Unpleasantness of 2020, they've produced yet hundreds of hours more with a little help from guests kind enough to digitally show them around their attics such as Danny Baker, Andy Partridge, Sir Tim Rice and Mark Lewisohn. For the full span of the Word In Your Ear world, visit wiyelondon.com. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
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