Inside the Milky Way - A Look at Early Alternative Music

When The Jam broke up at the end of 1982, their lead singer, songwriter, and guitarist Paul Weller decided to do something different musically. Weller, along with Mick Talbot, would form The Style Council, a band that would take a more soulful and polished approach to music. 
This English band would explore and incorporate various influences including European jazz, jazz-pop, classical, funk, R&B, 60's soul, and Northern soul. The music of The Style Council,  with the lush arrangements, smooth keyboards, and fluid guitars would often fit the sophisti-pop style.
The Style Council was not only about the music as Weller included social commentary in the lyrics and used this venture to address political concerns.
Beyond the core members of the band, Weller would bring in other musicians and vocalists as The Style Council would release four studio albums between 1984 and 1988. After their first two albums and early hits like "My Ever Changing Moods" and "You're the Best Thing" , the band's popularity started to decline eventually leading a breakup in 1989. 
This episode will tell the story of The Style Council between 1983 and 1989, and discuss the band’s music and the content as Paul Weller created soothing and soulful alternative music.

Joy Division was one of the first and most influential bands coming out of the early years of the post-punk era, and their debut album, Unknown Pleasures, would inspire generations of artists and change the future of music. 
This English band formed in 1976 and their first recordings were inspired by early punk rock as represented on the 1978 debut EP An Ideal for Living. 
Joy Division soon signed with the new independent label, Factory Records, where they would record Unknown Pleasures with producer Martin Hannett. This June 1979 release developed a sparse sound and style that made Joy Division one of the pioneering groups of the post-punk genre. The debut album, with the very iconic cover, would become one of the most influential post-punk albums of all time. 
This podcast episode will tell the story of the formation of Joy Division, their early recordings prior to and around the time of the debut album, and the creation and music of Unknown Pleasures.

The Australian band Severed Heads was a pioneering electronic and experimental artist, and one that is very underappreciated from the early alternative era. As one of the pioneering Australian alternative music acts, their music was part industrial, synth pop, electronic, dance, and ambient as well as experimental bringing in found sounds, tape loops, samples, and noise.
The original two members, Richard Fielding and and Andrew Wright, formed the band in the late 70’s as Mr. and Mrs. No Smoking Sign.  Tom Ellard joined in 1979 and soon after the band renamed themselves Severed Heads. By mid-1981, both founding members had departed leaving Ellard to continue the band.
As Severed Heads moved through the 80’s behind Ellard, their sound evolved from the early avant-garde to more accessible electronic body music (EBM) style with  synth hooks and pop structures taking on both an industrial and dance-oriented approach.
In 1983, the band released their fourth studio album, Since the Accident, followed with the single "Dead Eyes Opened ", a critically acclaimed song that would become a dance club classic.  
Beyond the music, Severed Heads were also early pioneers of incorporating video, computer graphics, and digital technology into their performances and releases. In all, the band has 23 studio albums as well a number other releases including a number of video albums over a very prolific career as one of the longest running Australian post-punk era bands.
Our podcast will tell the story of the pioneering Severed Heads, well beyond "Dead Eyes Opened"!

The Afghan Whigs earned a cult following during the early 90's with their music that mixed the Motown sound and R&B with indie and alternative rock. 
Formed in Cincinnati, Ohio in 1986, The Afghan Whigs were led by singer-songwriter Greg Dulli whose songs presented vivid stories of broken relationships, obsession, guilt and toxic masculinity.  
The music was full of emotional anguish and the lyrics were introspective, dark, and mature behind Dulli's intense and  gravelly vocals. The band's signature sound was a fusing of the passionate vocals with melodic guitars, gritty alternative rock of the grunge era, and soul and funk influences. 
It was all of this that separated the band from their peers in the early 90’s, and resulted in The Afghan Whigs as being one of the most critically acclaimed alternative bands of the 1990s.
Their work was best represented on 1992's album, Congregation, where the band found their signature sound, and the critically acclaimed cinematic masterpiece from 1993, Gentlemen, which is considered a landmark, unapologetic breakup album.
In this episode we will discuss the early years of the band with a focus on their two classic albums, Congregation and Gentlemen.

After being part of Buzzcocks, Howard Devoto left that group in 1977 to start a new band, known as Magazine. He launched this new venture in Manchester, England when he enlisted a young guitarist to join, named John McGeoch. 
Magazine would debut with the song “Shot By Both Sides”, followed by their debut album, Real Life. This classic and critically acclaimed album is considered by many as the first post-punk album. 
As one of the first post-punk bands, Magazine built off the energy of punk while adding various complex musical elements along with darker lyrics. With McGeoch, who would become one of the greatest guitarists of the alternative music era, Magazine would release three albums before McGeoch's departure in 1980.
Magazine would release another studio album before breaking up in 1981. The band would reform under in 2009 and release their fifth and final studio album in October 2011, before the band ended.
This episode will tell the story of the band including the first three albums with the late John McGeoch, and beyond with the albums that followed. We will also discuss the impact John McGeoch had on music before his passing at the age of 48 in 2004.