Alt.Latino

Fusion is at the heart of so much of the music we cover - especially on this week's episode. Flamenco producers descend on Hermosillo to experiment with regional Mexican music. Young Argentine artists blend trap with folk and rock en Español. A sunny Rio sound is born in Spain. Plus, a New Mexican string band, an Afro-Brazilian collective and an exploration of Latin roots from Cypress Hill.  

Artists and albums featured in this episode:

(02:26) Trueno, 'TURR4ZO'
(09:37) Lone Piñon, 'Hot Carne Seca'
(13:20) Chanela Clicka, 'COBRA'
(18:50) Cypress Hill, 'Dios Bendiga'
(22:30) Leo Middea, 'Notícias de Puglia'
(25:28) Mandinga Beat, 'Afro-Brazil'

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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This week's new music show spans the breadth of Latin America. Argentine indie artist Paula Prieto goes experimental. Venezuelan reggaeton pioneers Chino y Nacho return to the limelight. Brazilian singer Marina B reminds Felix of The Beatles. Guatemala's Doctor Nativo pays homage to the "caminantes" heading north to find a better life. Plus, Latin punk from San Antonio, and a celebration of Afro-Cuban legend Arsenio Rodriguez.

Artists and albums featured in this episode:

(00:46) Chino y Nacho, 'Radio Venezuela'
(05:30) FEA, 'Careful'
(10:11) Paula Prieto, 'TEMPORAL, LP.'
(16:27) Bobby Sanabria Multiverse Big Band, 'Arsenio And Beyond'
(22:30) Midnight Cafe & Marina B, 'À Flor da Pele (Lonely Man)'
(25:34) Doctor Nativo & Roco Pachukote, 'Caminantes'

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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Jorge Drexler is one of the most decorated singer-songwriters in Latin America. His albums are always high profile events, and his latest record merits the attention. It's called Taracá, and to make it he returned home to his native Uruguay - after living in Spain for 30 years - to explore the roots of an Afro-Uruguayan tradition known as candombe. On this week's episode we chat with Drexler about the motivation for returning to his home country, making music after losing his parents, and how the album's title reflects the sound made by a candombe drum.

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Listen to this episode out in the springtime air. It starts with a bucolic jaunt through Brazilian guitarist Fabiano do Nascimento's latest orchestral project, then finds La Plazuela's fresh Spanish funk and Macha's irreverent side project. Other sounds along the way: Caribbean pop from Venezuela, feel-your-feels indie from northern Mexico and an electronic spin on the indigenous Náhuatl language.

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Two phrases spoken during this week’s episode stand out because they represent how Ana and I approach our searches for new music. The first: “The only limit is the imagination.” In my constant hunt for the sound I have never heard, this thought is my mantra. The new music we’re bringing this week really steps up to that challenge, from young upstarts like Broke Carrey to beloved veterans like Draco Rosa.

The second phrase? “Latin music is a geography, not a genre.” Ana put into words something she and I talk about often, the idea that the term “Latin music” is no longer adequate to reflect that amazingly eclectic forms of musical expression in the Spanish-speaking world. This episode features musicians from Argentina, Peru, the Dominican Republic and elsewhere -- but what they share is a distinct artistic expression that consistently blows our minds.

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