Against Everyone with Conner Habib

Six authors. Four horror movies. Four episodes of Against Everyone with Conner Habib
This is HORROR UPON HORROR
On these episodes, we'll be thinking through the creation, reading, and viewing of the most vital and visceral art: Horror, and I'll be doing it with the frightening luminaries of the genre. People who are unafraid to endure the horrific imagination, and able to bring it to you.
On this first episode, I’ll be talking about nostalgia in horror with authors Nathan Ballingrud and Sarah Maria Griffin and then we'll move onto our discussion of the amoebic violent power of Chuck Russell’s 1988 remake of The Blob.
Unlike other monsters, the blob has no direction, no real personality. It doesn’t want anything. It’s not even hungry; hunger would imply some sort of desire or longing. Instead, it’s drawn to whatever is close and warm, drawn to incorporate it, to grow with the heat of flesh, bone, and blood.
As it gets bigger, it needs more heat, more blood, to keep going.
This is Horror upon Horror. The blob. A form older than vampires but newer in consciousness. It’s outside of time. It’s what was in the microscope made large, larger, until it envelops everything in its path with crushing pressure and dissolving acidity.
The blob is the pure inertia of motion.
NATHAN BALLINGRUD has also been on the show before, last time talking with me and Sara Gran on AEWCH 233 about cruelty in horror. His book of short stories, North American Lake Monsters is one of my very favorite horror collections. And his trilogy of retro future horror, The Lunar Gothic trilogy, begins with the utterly hideous (in the best way possible), The Crypt of the Moon Spider.
SARAH MARIA GRIFFIN⁠ is the author of the psychic vampire botany horror novel, ⁠Eat the Ones You Love⁠, and most recently ⁠Strange Is the Light⁠. Sarah has been on the show many times (her latest until now was ⁠AEWCH 252 ⁠where we talked about working as writers) and does an annual tarot reading event for patreon patrons.
SUPPORT THE SHOW: patreon.com/connerhabib

AGAINST EVERYONE WITH CONNER HABIB 326: FELIX JOHN TAYLOR on THE LIGHT OF THE HERMETIC ORDER OF THE GOLDEN DAWN
The first time I heard about the Golden Dawn, I was in high school. I was gay, Syrian, reading all the time, shunning sports. My town was filled with neo-Nzis and fundamentalists, celebrated stupidity and football players.
I wanted to feel something like power in a disempowering place, so I went to Brentano’s and found the most startling magic book there. On its cover was a person drawing a pentagram of crackling blue light with a wand. In it, instructions on making magical tools and spellcasting. And in its title, the word magick was written with a K. In contrast to the hell of school, the book represented an academy of magic. I found there allusions to The Golden Dawn, a group from almost a century prior, with secrets of not just power, but antiquity and the cosmos.
But they also seemed rigid, too elaborate and hierarchical. Plus I didn't like their most infamous member, Aleister Crowley, so I turned away from them. As I deepened my interests in occultism into adulthood, my pursuit of esoteric christianity, particularly the work of Rudolf Steiner, I steered clear.
I've become more sympathetic over time to the Golden Dawn. That doesn't mean I'm going to wade into their rituals, but that a real re-assessment has occurred. So this episodes’s guest, librarian and scholar FELIX JOHN TAYLOR ’s beautiful book, The Hermetic Order of the Golden Dawn: Magic Arts and the Occult Revival was a great find for me. In it, he gives a portrait of the Golden Dawn through its key members and its art. A picture emerges of not just a magickal group, but an art and social movement, working to redefine morality for the sake of inclusiveness and creativity. After all, Crowley fell in love with a drag queen at a gay bar in 1897. Oscar Wilde and Edward Carpenter influenced the group. So did Steiner, for that matter! W.B. Yeats brought his Golden Dawn work to revitalize Irish identity.
I’m so happy you’ll be joining me and Felix John Taylor in this reappraisal.
Support the show on Patreon!
Make a one-time donation!
Buy Felix's book.

Friends, I've been doing this podcast for over eight years and one thing I've noticed since the beginning: guests always want to talk about spirituality. I know, I know, it's self-selecting. I'M the one who wants to talk about it. Sure, that's true. But also, everyone is EXCITED to discuss it when I bring it up. It's like it's on the tip of everyone's tongues and has been for a decade. Now, it's starting to be fully pronounced, like a spell shouted into the air.
I’m sure you’ve seen it too: whether it’s the convergence of witchcraft and feminism, the popularization of political wellness which has ritual components, the appearance of crystals in the Los Angeles mayoral race, the conspiratorial intimations about black magick during lockdowns... People have been trying to interpret the world through a spiritual lens that religion doesn't seem up to - but the political realm has so overwhelmed people’s perceptions that instead of being TRANSFORMED by spiritual encounter, they're merely grafting it onto already-established, politicized worldviews.
This includes political pundits and secularized media ridiculing spiritual perspectives as a distraction from their failure to scrutinize 60 hour work weeks, economic bamboozling, or outdated attitudes about gender.
I've done my best to mediate this, because I could see it all coming (not bragging, promise, you can hear me discuss it on early episodes!). I’ve tried to occupy a sort of cultural position that was largely held in the past by de-witchers, fairy doctors, alchemical scientists and more, people who separated what's true and false when it came to spiritual paths, critiques, and pursuits. They constituted a whole classes of laborers people largely disappeared by the materialist, academic, and professional world.
But we can’t wait any longer, we need experts in this field. An expert I trust and appreciate so deeply on these matters is Thomas Waters, lecturer in history at Imperial College London (and AEWCH 98 guest)
So we talk together about magick’s role today, and the new magickal realm we find ourselves in.
I’m so excited to share this episode with you.
support the show: patreon.com/connerhabib
buy Magick: Decoding the Visual Culture of Spells, Illusions and Psychic Powers by Thomas Waters from an indie bookshop
buy Cursed BritainA History of Witchcraft and Black Magic in Modern Times by Thomas Waters from an indie bookshop

I talk with intellectual historian, A.J.A. WOODS , author of the excellent and very readable The Cultural Marxism Conspiracy: Why the Right Blames the Frankfurt School for the Decline of the West on to the show to discuss all this.
In their book, A.J.A. traces the great movement of blaming everything good and bad - from trans liberation to sexual abuse, from religious plurality to totalizing Satanism, from fighting state violence to supporting gulags - on something called cultural Marxism.
If it sounds incoherent, that’s because coherence is not really the point. The illusion of coherence is. And the illusion is created by noise and density.
I have my own shaky relationship to the Frankfurt School, and I'm so happy to share this exploration with you in hopes that it will inspire you to rethink and/or revisit these philosophers.

Support the show: patreon.com/connerhabib

Friends, “The hour is late. It is time for unwanted guests to leave.”
That's a line from this episode's guest, MITCH HOROWITZ, in his latest book, Esoterika: Formulas Against the False Self.
The book as I see it, is a book of ethics. And its central question is: how do you navigate who you are and what your ethics are when you touch the continuously transformative fires of spiritual pursuits?
In that sense, it is a book for anyone exploring their spirituality.
In it, Mitch traces his own inner (and outer) conflicts with spiritual maxims. Particular to Mitch is the conundrum of: How do I get what I want, yet retain my integrity? What do I do when there's a conflict? And where does magic come in?
This is a great discussion and one where we navigate our own tensions of belief and disbelief; will and surrender.
Support the show via patreon.com/connerhabib