Jeff Daniels Was Supposed to Take Over the Family Lumber Business
By 1976, college student Jeff Daniels was pretty sure he didn't want to follow his father into the Michigan lumber trade. But he wasn't sure he could make it as a working actor -- until one of the founders of Manhattan's legendary Circle Repertory Company spotted him at Eastern Michigan University. It was a short hop from Circle Rep to his screen breakthrough in Terms of Endearment , but Daniels' commitment to the stage has never waned. That commitment bore a Tony nomination this year (Daniels' third) for his magnificent performance in Aaron Sorkin's To Kill a Mockingbird adaptation on Broadway. Daniels and Alec discuss the craft required to play Atticus Finch, the very different craft required to play alongside Jim Carrey in Dumb & Dumber , and Daniels' unusual decision to move back to his Michigan hometown with his wife and child while building a Hollywood career.
Jane Mayer on Thomas, Trump, and Twitter
The New Yorker ’s marquee investigative journalist, Jane Mayer has been a thorn in the side of three presidents, two Supreme Court justices, and, most recently, Fox News. She tells Alec stories from her investigations into Kavanaugh and Clarence Thomas, and talks about what drew her to the rigors of reporting. Plus she reveals details about her process, including why she often leaves victim-interviews to her co-authors.
Perta: Life Just Before Rock Stardom
The band Perta has landed a glossy and is represented by star-making talent agents WME. They've got big labels knocking at the door, attracted by a stunningly talented frontman and a funky, catchy, original sound. But that doesn't mean they can necessarily quit their day jobs. It's a strange, exciting place to be. Perta frontman Mat Bazulka and founder/keyboardist Colin Kenrick tell the story of how one band is breaking through in a rapidly changing music world -- and share some of the band's unreleased tracks.
Geoffrey Horne and the Mysterious Disappearance of a Dreamboat
Barely out of college in the mid-1950s, Geoffrey Horne was a heartthrob TV star with acting chops to rival the greatest talents of his day. In '57 David Lean gave him a breakout role in his masterpiece, Bridge on the River Kwai and Otto Preminger followed up by casting him as Philippe in Bonjour Tristesse . Full Hollywood stardom seemed inevitable -- and yet, few roles followed. Horne didn't resurface as an actor of note for 25 years, in late-70s New York, when his scene-work at the Actors Studio attracted the attention of Method master Lee Strasberg. Strasberg invited him to teach some classes and the rest is history. Horne became one of the most brilliant and sought-after teachers in the history of his craft. Alec credits Horne's commitment to emotional honesty for much of his success. But the question remains: what happened to Geoffrey Horne the movie star manqué? The teacher and student discuss that question and much more, including the set and stars of River Kwai .
Sarah Kliff and the Insane Saga of American Emergency Room Bills
America’s most famous healthcare expert was actually born in Canada! The Vox reporter and all-around policy guru explains how, in a country with entrenched interests similar to ours, progressives managed to win coverage for every Canadian. Plus she gives her take on the remarkable unity in the Democratic Party over "Medicare for All," the political realities about what can actually get done, and tells stories from her year spent reading Americans’ terrifying, infuriating emergency room bills. One of the people who sent her his bill was a man in San Francisco who was hit by a public bus, taken to a public hospital, and had insurance -- but was still on the hook for $27,660.