The Roulette Tapes

Vocalist, percussionist, composer, music director, and community facilitator Anaïs Maviel has associated her practice with the inextricable currents that move spaces and people between times and lands. One passion is to explore the use of language, and its vibratory essence in music, expanding its power as a healing and transformative act. Here we hear the artist on voice, percussion, n’goni, and keyboards in solo and ensemble works recorded at Roulette between 2019-21 alongside commentary on her background, performance practice, alchemy, and collaboration.

The guitarist Wendy Eisenberg profiles Squanderers, the collaborative, improvising trio of Eisenberg with David Grubbs (gastr del sol) on electric guitars, and Bonner Kramer (Shimmy Disc) on bass ukulele. Eisenberg’s commentary reveals the roots and flowers of this multi-generational exploration heard alongside excerpts from their 2025 performance at the Roulette concert hall in Brooklyn.

Pianist/composer Aruán Ortiz, classically trained in Cuba and influenced by jazz musicians from Chick Corea to Muhal Richard Abrams, narrates his journey over excerpts from his 2025 concert at Roulette pushing the boundaries of musical Afro-diasporic traditions and storytelling. A 2024 Guggenheim Fellow, we'll hear solos and ensemble works with clarinetist Don Byron, flutist Nicole Mitchell, and percussionist Mauricio Herrera alongside strings and vocalists.

The sonic world and career of composer Pauline Oliveros (1936-2016) featuring a 2008 interview with the artist conducted by David Weinstein for the radio station of the Clocktower Gallery in support of an exhibition at PS1 Contemporary Art Center (now MoMA PS1) entitled WACK: Art of the Feminist Revolution. We also hear solos and collaborative works recorded for the Roulette concert series dating from 1984 to 2014 including excerpts with the Deep Listening Band (Stuart Dempster, trombone, didjeridu and David Gamper (piano, "toys"), and a trio with David Arner (piano) and Doug Van Nort (custom electronics). The influence of Dr. Oliveros on contemporary music is unrivaled, from electronic innovations, sonic meditations, ceremonial works, the Deep Listening paradigm, her Expanded Instrument System (processing time and space), hot-wired accordion, and merging a social conscience with sound.

Vibraphonist, marimbist, and composer Patricia Brennan in conversation with excerpts from performances at the Roulette Concert Hall in Brooklyn. Raised in Mexico and now in Brooklyn and honoree of many awards, Brennan's work as a bandleader and side person includes projects with pianist Sylvie Courvoisier, trumpeter Adam O'Farrill, and her ensembles More Touch and Patricia Brennan Septet. Brennan celebrates a new album, Of The Near And Far on Pyroclastic Records, at Roulette on December 1, 2025, inspired by celestial configurations.