Prestige Junkie

Kyle Buchanan joins Katey and Chris Rosen to look at what the major streamers have in store for this year's Oscar race, how Amazon MGM is equipped to push a major contender like Project Hail Mary, and why Kyle has been so high on Netfilx's La Bola Negra ever since its Cannes premiere. Then Katey talks to David Harbour about the years he spent trying to get DTF: St. Louis into production, what he learned about the business in the process, and how it felt to dance in his underwear in front of the same Atlanta crew that had seen him fight creatures as the heroic Hopper on Stranger Things.

00:00 Intro

00:19 Coming Up...

02:07 Can Streamers Compete This Year?

03:49 Apple's Thin Two-Film Slate

06:56 Why Best Actress Is Wide Open

09:45 The Ingenue Pendulum Swings Back

12:58 Tenzing And Genden Phuntsok

14:26 Digger Skips Venice

16:10 Project Hail Mary Vs. Dune 3

19:19 Is Anything Stopping The Odyssey?

24:55 Lord And Miller's Director Shot

25:29 Sandra HÜLler's Shot

26:28 Anne Hathaway: Lead Or Supporting?

27:15 Amazon's 'Dudes Rock' Slate

30:13 What A Tiff Premiere Really Means

32:11 Verity And Anne Hathaway's Year

34:19 Netflix And La Bola Negra

36:47 Was Roma Really Divisive?

39:20 Penelope Cruz's Second Oscar?

42:10 Netflix's Number Two Priority

44:20 The Cliff Booth Question Mark

47:10 Possible Love And A Thin Venice

50:45 Next: David Harbour

51:53 The Origin Of Dtf St. Louis

53:30 Making Tv He Actually Wants To Watch

56:24 The Sweetness Beneath The Sadness

58:47 Avoiding The Flyover State Trap

01:02:07 Lessons From First-Time Producing

01:04:47 The Argument He Lost With Steve Conrad

01:07:48 Walking The Tonal Tightrope

01:11:26 Is Dtf Actually Heartwarming?

01:12:40 The Male Loneliness Epidemic

01:13:57 What Harbour Is Building Next

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Katey talks to the Emmy-nominated breakout star of the year's breakout comedy series Widow's Bay, about how she created Patricia as one of television's most lovable oddballs and how kicking off her screen career with director Mike Leigh — who she'll reunite with for Tender Loving Care this fall — set her up for a remarkable career.

00:00 Intro

01:02 Coming Up...

02:33 The Audition Process

04:20 Naive Confidence After Drama School

05:53 From Glass Menagerie To Patricia

07:13 Patricia's Fragility And Mean Girls

08:29 The Childlike Fear Of Widows Bay

09:52 Keeping Up With The Improv Titans

11:45 Hamish's 200-Year-Old Zombie

13:13 Meeting The Sea Hag

14:49 When The Tone Clicked

16:44 Her Accidental Comedy Career

19:14 Patricia's Exasperation

20:18 The Patricia Fandom Explosion

21:15 Stage Applause Vs. Screen Silence

22:30 Working With Mike Leigh Again

25:33 Season Two And The Island's Secrets

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David Canfield joins Katey and Chris Rosen to look at the fall offerings from the studio-based indie labels Focus Features, Sony Pictures Classics, and Searchlight Pictures. Then Katey talks to Charles Melton about how he tapped into his Gen Z side — as well as some very endearing cluelessness — to play his character Austin on the Emmy-nominated Beef.

00:00 Intro

01:24 Fall Preview: The Indie Labels

02:42 Searchlight's Big Bet: Wild Horse Nine

08:06 Behemoth Premieres At New York Film Fest

12:27 Sony Classics' Slate: Bunker And Beyond

13:40 John Turturro's Overdue Moment

18:25 Focus And The Obsession Phenomenon

21:53 Can Werewolf Follow Nosferatu?

25:22 Andrew Scott And Elsinore

31:45 Focus's Unsolved Mysteries

33:46 Women Directors

40:18 Next: Charles Melton

41:24 The Dinner That Launched Beef

43:37 Navigating Award Season Meetings

45:14 Directors As Film School

47:24 The Beef Viewing Diet

49:43 Why It's Funny, But Not Funny To Play

51:27 Austin's Dangerous Sweetness

54:22 Codependency, Books And Identity

55:36 Leaving The Role At Work

57:28 Playing Austin Davis

59:45 That Finale: A Happy Marriage?

01:01:47 What Do You Take From Every Role?

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Katey talks to the Emmy nominee for both the Netflix limited series Death by Lightning and the Apple comedy series Margo's Got Money Troubles, about how he became so in-demand as an actor ("I mind my manners and try to do the best job I can") and some incredible behind the scenes details on how his pro wrestler character on Margo became so believable.

00:00 Intro

01:17 Back To Chicago Theater

02:30 Why They Can't Say No

03:50 Saying Yes To Death By Lightning

06:09 Budapest: Hollywood's Odd Outpost

07:00 History Nerds And The White House

09:51 The Redemption Of Chester Arthur

12:33 Picking Your Own Lane

13:52 Awards, Betty Gilpin And Snubs

15:41 How Margot Got Made

17:31 Why Nobody Else Wanted These Roles

19:42 Becoming Jinx The Wrestler

21:58 Training To Wrestle Nicole Kidman

25:07 Bringing Production Back To L.A.

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Entertainment Weekly's Joyce Eng joins Katey and Chris Rosen to kick off our fall preview series, looking at what's in store from the major studios — and whether anything on the horizon can beat The Odyssey. Then Katey talks to Jane Schoenbrun about their new film Teenage Sex and Death at Camp Miasma, which is a love letter to many important things, from sexual liberation to slasher movies to movie theater candy.

00:00 Intro

00:54 Coming Up...

02:32 Kicking Off The Fall Preview Series

02:57 The Studios Are Back

04:12 Warner Brothers' Rough Road

06:24 Can Tom Cruise Win For Digger?

11:06 Why Digger Skipped Venice

15:00 Dune Part Three's Ceiling

18:35 Paramount's Dad Movies And Ebenezer

20:59 Sony And The Social Reckoning

26:05 Disney And The Animation Race

30:12 Avengers Doomsday Vs Dune

34:38 Universal Beyond The Odyssey

38:55 Can The Odyssey Break The Sinners Record?

45:30 Does Oppenheimer Stand In The Way?

48:18 Next: Jane Schoenbrun

49:29 Premiering At Cannes

51:43 How Audiences Are Reacting

54:43 Making A Fun One

57:11 Childhood, Suburbia And Simulation

01:00:31 Lynch, Mulholland Drive And The Primal Scene

01:04:35 Why There's So Much Candy

01:07:46 Merch, Slashers And Capitalism

01:10:48 Telling The Truth About Hollywood

01:13:32 Making Art At The End Of The World

01:16:47 Writing A Book

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