Caliber 9 From Outer Space

We're checking out a couple of weird riffs on the vampire from Eastern Europe this week. Jonathan Owen joins us to discuss the beautiful and bizarre Czech New Wave classic, Valerie and Her Week of Wonders (1970), directed by Jaromil Jireš and then a curious blend of vampire and car racing, Juraj Herz's Ferat Vampire (1982). Both films explore weird psychoerotic territory both grotesque and beautiful - and whatever you think of them, they are each pretty unique.

We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Valerie and Her Week of Wonders by skipping ahead to the 1:25:44 mark, and for Ferat Vampire by skipping ahead to 2:09:07.

Want to get in touch? You can reach us on [email protected]

Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

"Fast Blood" by Frightened Rabbit

In the future, it's 2100. But it used to be 2027. But then, 70 years later, some people time travelled back to 1980. And after 20 years passed, our story begins. Don't worry, it doesn't matter what year it is. Just know that a very muscly lady needs to run around in the African desert while Chad Stahelski struggles not to die of heat exhaustion in a very top-heavy robot suit.

In this bonus episode, we continue Project Nemeses with the first of many sequels, Nemesis 2: Nebula (1995), directed again by Albert Pyun. Ted is with Rob and Joe again, and they all struggle valiantly (or not so valiantly, as the case may be) to make sense of what should be pretty straightforward but somehow isn't. Luckily, no one really watches one of these movies for its plot.

Given all that, we don't bother with Spoiler Territory this week. We don't even know what year it is, so don't worry about being too well informed by this episode.

Want to get in touch? You can reach us on [email protected]

Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

"Search and Destroy" by Peaches

Friday night's a good night for slashing, so here comes Part 4 of our meandering trip through the Friday the 13th franchise. Al is in the house again as we check out Friday the 13th Part VII: The New Blood (1988), directed by John Carl Buechler, and then we delve into the inevitable Platinum Dunes remake effort, Friday the 13th (2009), directed by Marcus Nispel. Is it a misunderstood gem? And how could Part VII ever recover from its (ironic) evisceration at the rapacious hands of the MPAA?

Let's just say, plot is not really the reason to watch either of these films. so we won't be announcing a Spoiler Territory section for either of them.

Want to get in touch? You can reach us on [email protected]

Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

"Night Train" by The Kills

Stephen Frears is not an habitual purveyor of the sort of cult cinema we usually cover on this show. But we do love our noir, and Frears does have two outstanding neo-noirs in his filmography, so why not knock them both off the list in one episode? Bryce joins us to discuss The Grifters (1990), along with Frears' earlier effort, The Hit (1984). This is noir with an emphasis on existential. And his Oscar-nominated Grifters may have been an establishment darling, but adapted by Donald Westlake from a Jim Thompson novel, it has a hell of a crime fiction pedigree, and goes to some incredibly dark places.

We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for The Grifters by skipping ahead to the 1:30:59 mark, and for The Hit by skipping ahead to 2:29:02.

Want to get in touch? You can reach us on [email protected]

Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

"Magdalena 318" by the Pixies

We're all about grimy 1970's New York crime movies this week, as Nick Langdon drops in to discuss The Taking of Pelham One Two Three (2011), directed by Joseph Sargent and The Night of the Juggler (1980), directed by Robert Butler. No two films more perfectly encapsulate the unique cinematic vibe of the crumbling, chaotic metropolis in this era like these do.

We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for The Taking of Pelham One Two Three by skipping ahead to the 1:25:06 mark, and for The Night of the Juggler by skipping ahead to 2:22:14.

Want to get in touch? You can reach us on [email protected]

Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

"New York City Cops" by The Strokes