Headliner Radio

Once a member of the ska band Reel Big Fish, two-time Grammy winner Carlos de la Garza pivoted into his true calling of engineering and mixing albums, racking up credits with the likes of Death Cab for Cutie, Jimmy Eat World, Wolf Alice, as well as his multiple award-winning collaborations with Paramore and Hayley Williams. He chats to Headliner about working with alt-J frontman Joe Newman and his new solo venture Jjerome87 on the debut album The Canyon.

Acclaimed singer-songwriter, cellist, composer and MOBO-nominee Ayanna Witter-Johnson discusses her new album, New Roots, an intimate exploration of British-Caribbean identity, lineage, self-discovery and renewal. She reflects on the central role of the cello in her songwriting, the inspiration behind key tracks from the album, navigating the music industry as a multi-disciplinary artist, and what she hopes listeners take from New Roots.

Four years after joining forces, Kristian Smith and Curt Lopez have quietly positioned Sonata Collective as one of the UK's most exciting names in deep house. The duo discuss the momentum behind Sonata Collective, why consistency matters just as much as talent, what "making it" as a DJ really means, their must-have DJ gear, and why their biggest chapter is still to come.

Producer Andrew DeRoberts, the creative force behind rising country star Alexandra Kay’s second album, Second Wind, discusses the making of the record and the collaboration that shaped its sound. Bringing a fresh, modern edge to Kay’s country style, DeRoberts helped craft an album that has made a strong impact on the charts, with lead single Straight For The Heart achieving one of the biggest first-week country radio debuts by a solo female artist. He discusses how he balanced country authenticity with pop influences, the studio techniques that helped define Second Wind, and what it takes to create a record that connects with both audiences and radio.

Manchester soul artist Mica Millar discusses the making of her new album, A Little Bit of Me – a self-written, self-produced statement recorded at the iconic Miraval Studios in the South of France, the residential studio owned by Brad Pitt. As she enters the next chapter of her career, including a major UK and European tour, Millar reflects on finding her voice, recording at Brad Pitt’s studio, the art of producing her own vocals, and the challenges of making the difficult second album.