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  • Emre Ramazanoglu - Atmos Mix Engineer, Drummer
    Emre Ramazanoglu, acclaimed session drummer, mix engineer and Atmos specialist, joins Kevin Paul to discuss his unique career journey, the rise of his reputation as a mix engineer and his lasting passion for the music industry.Chapters00:00 - Introduction01:26 - Education, Drums And Early Recording06:44 - Touring And Programming Drums11:21 - Constructing Fashion Show Soundtracks16:30 - Studio Work And First Zero G Release 21:23 - Versatility And Enthusiasm27:40 - Being Creative On Tight Deadlines 30:47 - Drum Processing34:03 - Being A Reducer, Not Producer37:48 - Live With Your Mixes For A While41:42 - Atmos Mixes For Brian Eno43:55 - Working In Atmos And Binaural51:21 - The Future Of Atmos And Immersive Audio01:00:45 - Arturia Mix DRUMS Plug-in01:07:33 - Career Advice For Future Engineers#ArturiaMixDRUMS #EnoEmre Ramazanoglu BiogEmre Ramazanoglu is a London-based immersive audio engineer, producer, stereo mixer, programmer, and session drummer renowned for his versatility across various music genres. From the south coast,  Emre moved to London to pursue a career as a session musician. His diverse skill set has led him to collaborate as stereo mixer, producer, engineer, drummer and programmer with a wide array of artists, including Noel Gallagher, David Bowie, Sia, Lily Allen, Richard Ashcroft, David Holmes, Paloma Faith, Carly Rae Jepsen and many more.Emre's expertise extends to immersive audio mixing. He has worked on over 2000 immersive audio mixes so far, including mixing the Atmos version of Bowie's “Ziggy Stardust" with renowned engineer Ken Scott. In addition to work on regular major label projects he also is often the mixer of choice for more independent creative projects such as Brian Eno, Jon Hopkins, These New Puritans and many more! Beyond his work with individual artists, Emre has contributed to film and television scores, including projects like "Killing Eve," "Logan Lucky," "Mosaic," "The Laundromat," “Eric”, “The Radleys”, "Mindhorn." and many more. He is also a founding member of the UK jazz group Ill Considered, which has released 12 albums to date and regularly tours worldwide.In addition to his musical endeavours, Emre has composed and mixed music for fashion shows and promotional campaigns for renowned brands such as McQueen, Louis Vuitton, Marc Jacobs, Tommy Hilfiger, Givenchy, Armani, Tom Ford, Rihanna, River Island, Fendi, Lancome, Chloe, and many others. His passion for audio also extends to plug-in and app development with a signature plugin being released in 2025 with Arturia called Mix Drums which has had amazing response from the pro audio world as well as his own audio app called Realm with the company RT60. Throughout his career, Emre has been recognised for his adaptability and breadth of knowledge in the music industry, continually evolving and contributing to various facets of music production, performance, and composition.https://www.emreaudio.com/https://www.instagram.com/emre_ram/https://www.arturia.com/products/software-effects/mix-drums/overviewKevin Paul BiogKevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica. After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s “Felt Mountain”, David Bowie’s “Hours” and Nick Cave’s “No More Shall We Part”. He also worked in 5:1, mixing Moby’s “Hotel”, Goldfrapp’s “Black Cherry“ and more for DVD.In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more.He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK’s Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark’s “Dúné” with the first single premiering at the Danish Music Awards, plus the latest iTunes Music Festival.http://www.kevin-paul.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
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  • How Did You Build Your Studio Career?
    MixBus Live @ GearFest UK 2025Four top London-based Producer Engineers take part in this lively roundtable discussion with MixBus host Kevin Paul. Talking about how they got started in the industry and revealing how they got to work with some of the world’s top artists such as Ellie Goulding, Placebo, Coldplay, Kylie Minogue and London Grammar to name but a few.Chapters00:00 - Introduction00:53 - Reasons For Getting Into Music Production19:09 - The Reality Of Working In A Studio20:59 - Working Your Way Up In A Studio22:39 - Employing Studio Staff25:55 - More Females In The Industry28:05 - Making Yourself Indispensable And Networking41:00 - Managing A Successful Career Tim Bran BiogTim Bran began his production career in his own studio in Guernsey where he grew up. He then worked in the legendary Fallout Shelter Studios at Island Records in London where he collaborated with artists such as Julian Cope, Mica Paris, Omar and ex-Big Audio Dynamite band Screaming Target (with whom he formed an alliance and created the seminal dub/ambient band Dreadzone later on). He toured for ten years then decided he needed to be in his home from home- the studio - so gave up touring and dedicated himself to production and writing. He co-produced London Grammar’s debut album If You Wait with his production partner Roy Kerr as MyRiot and has worked with artists such as Birdy, Paul McCartney, Rae Morris, La Roux, KT Tunstall, Halsey, The Verve, Imelda May and Primal Scream. Recently his work includes Haevn, Abby Sage, Axel Flovent and Wild Rivers. Today, Tim Bran continues to make waves in the music scene, working with both established and up-and-coming artists. With each project, he brings a fresh perspective and a dedication to pushing musical boundaries, ensuring that his influence on the industry remains as vibrant as ever.http://www.echobeachmanagement.com/artist/tim-bran/https://www.instagram.com/timbranmusic/Danton Supple BiogDanton is a London based Record Producer and Mixer with almost 40 years experience in studios and studio production with a diverse and successful range of artists as engineer, mixer and producer including work on 3 Grammy Winning and 5 Grammy Nominated projects. Having trained as a recording engineer at the legendary Sarm Studios under producers Trevor Horn, Steve Lipson and Julian Mendelsohn he moved to Westside Studios to work with Clive Langer and Alan Winstanley. Going freelance in 1994 he worked with producers Phil Spector, Steve Lillywhite, Gil Norton, Mike Hedges, Steve Osborne, Flood, Ken Nelson, Paul Oakenfold, Brian Eno, Hugh Jones, Chris Hughes, Mark Saunders and Ian Stanley. He moved into production and mixing soon after with projects including Amy MacDonald, Soulsavers, Coldplay, Ian Brown, Morrissey, Oceansize, Starsailor, Lucie Silvas, The Devlins, Kylie Minogue, Patti Smith, Electric Soft Parade and The Doves. Recent projects include Alabama 3, Skinny Living, The Horn, Autoheart, Canadian band Around Joshua, Glowie, Deco, Oh Baby and Waiting For Smith. Danton is now based at RAK Studios (https://rakstudios.co.uk), St Johns Wood, Londonhttps://www.dantonsupple.com/https://www.instagram.com/dantonsupple/http://www.facebook.com/dantonsupplehttp://www.twitter.com/DantonSuppleShelby Logan Warne BiogShelby Logan Warne is a London-based multi-instrumentalist, vocalist, songwriter, studio engineer, producer and the frontwoman of the progressive rock and synth-pop band Kyros. She is also the co-owner and managing director of Sensible Music - a premium multi-studio complex in King’s Cross with a rich musical history comprising of world-class recording and mixing facilities, rehearsal spaces and long-lease studio and production rooms. She was nominated for Breakthrough Producer of the Year, Breakthrough Engineer of the Year and Self Producing Artist of the Year at the 2025 Music Producers Guild Awards. In addition to her self-producing work with Kyros, Shelby has worked closely with the likes of Placebo, Hurts, Gary Go, Steven Wilson and Haken as well as assisting on audio post-production and recording projects for Aardman Animations, Nike, the BBC and Sky.https://shelbyloganwarne.com/http://instagram.com/hereisshelbyhttps://www.facebook.com/shelbyloganwarne/Julian Kindred BiogJulian Kindred is a Canadian musician, producer, engineer and Grammy award winner. He started recording by working in many of the iconic studios of Nashville's Music Row, where he worked alongside a “who’s who” of the city's great musicians and producers. After moving to London in 2002, he set up his own Nonsuch Park Studio where he continues to produce, record, mix and write with established and new artists alike. He's worked with Ellie Goulding, Aimee Mann, Nao, Hammock, The Magic Numbers, Max Cooper, Avicii, BT, and legends such as Little Richard and Steve Winwood.https://www.juliankindred.com/https://www.facebook.com/julian.kindred.3https://www.instagram.com/juliankindredKevin Paul BiogKevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica. After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s “Felt Mountain”, David Bowie’s “Hours” and Nick Cave’s “No More Shall We Part”. He also worked in 5:1, mixing Moby’s “Hotel”, Goldfrapp’s “Black Cherry“ and more for DVD.In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more.He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK’s Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest a...
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  • Cameron Craig - The Music Producers Guild
    Producer, mixer and engineer Cameron Craig joins Kevin Paul to discuss his traditional path into the music industry, share advice for newcomers looking to break in today and to shed light on the work of the Music Producers Guild and its positive impact on the industry.Chapters00:00 - Introduction00:40 - Route Into The Industry04:22 - Career Progression At Flagstaff Studios06:56 - Learning As An Assistant 09:52 - The Blurring Of Engineer And Producer Roles14:06 - Moving To The UK17:52 - Setting Up As A Freelancer19:42 - Technology Changing The Industry 25:01 - Working With Inspiring Artists26:58 - The Music Producers Guild30:09 - Lobbying For AI Consent33:54 - Benefits Of Membership35:46 - The Future Of The MPG37:44 - Tips For Getting Into The IndustryWe’d like to thank Neil Pickles and the management at Pierce Entertainment for letting us record this episode at their studio.https://www.pierce-entertainment.com/ Music Producers GuildThe Music Producers Guild is a not for profit organisation that was started by producers, mixers, recording engineers, re-mixers and programmers and is run by volunteers from within the industry. Their aim is to support members in their careers, campaign for the rights of music industry workers, promote diversity within the industry and to celebrate the achievements of members via the annual MPG Awards.https://mpg.org.uk/Cameron Craig BiogCameron is a two time Grammy award-winning Producer-Mixer-Engineer. A hugely impressive credit list notably also includes several albums with U.N.K.L.E., along with names like Adele, Annie Lennox, Bjork, Tina Turner, Baxter Dury, Grace Jones, Joe Strummer, Duffy, Amy Winehouse and many more.His work has encompasses an enormous spectrum of musical styles including indie, dance, film soundtrack and orchestral recording, picking up a Grammy award for "Album of the Year" for his part in recording Adele's 25 and collecting another Grammy award for "Best Engineered - Non classical” in 2008 for his contribution to the Suzanne Vega album Beauty and Crime also recording the orchestra on Duffy's Grammy and Brit award-winning Rockferry album. Other notable accolades are Grammy nominations for Annie Lennox’s Nostalgia album that he mixed, Bjork’s Biophilia album that he recorded a track on, a nomination for MPG’s Recording Engineer of the Year 2015.Having started out in his native Australia he achieved great success with many multi-platinum albums and a nomination for ARIA Engineer of the year in 1995 to his name. It is then Cameron decided to move to the UK to further his career.Cameron is an Executive Director of the MPG and sits on the board of UK music representing the MPG to the wider music community.https://www.cameroncraig.infoKevin Paul BiogKevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica. After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s “Felt Mountain”, David Bowie’s “Hours” and Nick Cave’s “No More Shall We Part”. He also worked in 5:1, mixing Moby’s “Hotel”, Goldfrapp’s “Black Cherry“ and more for DVD.In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more.He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK’s Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark’s “Dúné” with the first single premiering at the Danish Music Awards, plus the latest iTunes Music Festival.http://www.kevin-paul.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
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  • Pascal Gabriel - Music Producer
    Pascal Gabriel, aka Stubbleman, gives Kevin Paul an insight into his working methods, favourite studio equipment and shares some valuable advice to artists and producers looking to carve out a career in the music industry.Chapters00:00 - Introduction00:31 - The Origins Of Stubbleman03:25 - Using Ambient Noises On The Record And Live05:17 - Working In A Studio 07:15 - What Makes A Good Producer?09:28 - Working With An Engineer11:29 - S'Express and Bomb The Bass13:53 - Success With Peach and Dido15:54 - Working With Top Line Writers 17:55 - Pushing Bands Out Of Their Comfort Zone20:46 - The Art Of Lyric Writing22:06 - Advice To New Artists24:30 - Favourite Piece Of Studio Kit27:09 - The No Phone RulePascal Gabriel BiogStubbleman is the alter ego of Pascal Gabriel, a Belgian-British composer and producer known for his genre-defying career. From a punk background, he became a key figure in the late ’80s UK Acid House/Breakbeat explosion, co-writing and producing "Theme from S'Express" and "Beat Dis" with Bomb The Bass, before collaborating with artists like Wire, EMF, Goldfrapp, Dido, Miss Kittin and Kylie.Returning to his electronic roots, he created Stubbleman, blending modular synthesis, found sounds and live instrumentation. His debut album, Mountains and Plains, captured the vast landscapes of a U.S. road trip in an ambient soundscape. His follow-up album, 1:46:43 - The Ventoux Trilogy, transforms the legendary Mont Ventoux cycling ascent into music, using real-time ride data to drive evolving synth sequences.http://melophobia.com/https://www.facebook.com/stubblemanmusic/https://www.instagram.com/stubblemanmusic/https://www.youtube.com/channel/UCOLb3yT9AQhByo2UYvZspogKevin Paul BiogKevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica. After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s “Felt Mountain”, David Bowie’s “Hours” and Nick Cave’s “No More Shall We Part”. He also worked in 5:1, mixing Moby’s “Hotel”, Goldfrapp’s “Black Cherry“ and more for DVD.In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more.He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK’s Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark’s “Dúné” with the first single premiering at the Danish Music Awards, plus the latest iTunes Music Festival.http://www.kevin-paul.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
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  • OLLO Audio - Behind The Brand
    Rok Gulič, founder and CEO of OLLO Audio talks to Sam Inglis about the origins of the company, the launch of their brand new X1 headphones and working with dSONIQ to offer calibration via their Realphones software.Chapters00:00 - Introduction01:31 - Path To Becoming An Audio Manufacturer04:12 - Simplicity And Sustainability 06:19 - Flat Frequency Response 08:38 - Total Harmonic Distortion (THD) 10:01 - Introducing A Closed-Back Version11:48 - Teaming Up With dSONIQ 13:16 - X1 Calibration Process14:45 - Using Broad Q Factors17:29 - Preference For External DSP 19:27 - A Great Sound With Any Amp 22:27 - Working With User Feedback 24:42 - Global Distribution And Support 27:39 - Catering To Different Global Tastes #olloaudio #dSONIQ #realphonesOLLO Audio BiogPrior to the launch of OLLO Audio, founder Rok Gulič was experimenting with tactile transducers in order to recreate the feel of a studio’s deep, immersive sound at high volumes but in a personal, headphone-like format and this resulted in him building, testing and refining headphones for personal use. On receiving multiple requests from friends for their own headphones, what started as a passion project in a garage became a fully-fledged business.Based in Solvenia, all headphones are hand-built. The company launched with the S4X model in 2019, followed by the S5X and launched the X1 in 2025. OLLO Audio’s vision is that headphones should be durable, fully repairable with home tools and made to last, which is why every OLLO model is designed with replaceable parts, making them some of the most sustainable and long-lasting headphones on the market. Their designs avoid plastic where possible, instead using metal and wood to create a design that’s both visually striking and built for longevity.https://olloaudio.com/https://www.instagram.com/olloaudio/https://www.facebook.com/ollomixingsystem/https://www.youtube.com/channel/UCr6MScEyGwoduri4jQnRENAhttps://www.linkedin.com/company/ollo---headphones-mixing-systemSam Inglis BiogEditor In Chief Sam Inglis has been with Sound On Sound for more than 20 years. He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006).Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
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Welcome to the Sound On Sound People & Music Industry podcast channel. Listen to experts in the field, company founders, equipment designers, engineers, producers and educators. More information and content can be found at https://www.soundonsound.com/podcasts | Facebook, Twitter and Instagram - @soundonsoundmag | YouTube - https://www.youtube.com/user/soundonsoundvideo
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