Across the Movie Aisle

On this week’s episode, we debate this essay by Alison Pill on the perils of child acting. Is it possible to do professionally in an ethical way? Then we review Mayday, the new film from the guys who made the recent Dungeons and Dragons movie that everyone loved. Is this any good? Does it have just a tad too much Ryan Reynolds? We discuss! Make sure to swing by Thursday for our bonus episode on Cars at 20 (and all the kids under the age of 8 who still love it) and on Friday for our bonus episode on Sugar, the Apple TV series. Leave a comment!

Hey, before we get started, a technical note: Due to a weird recording hiccup, Alyssa’s voice is slightly out of sync. I’ve gotten it as close as I can, but it’s … still not right. Sorry! Maybe just minimize the window and listen to this one. Or subscribe to your private ad-free RSS feed and get it straight to your favorite podcast app! 
The episode itself is pretty good, though! We discussed why Dolly Parton and Tim Curry were so beloved and free from culture war nonsense. Then we reviewed The Dog Stars. WARNING: Lots of spoiler chatter in this one!

On this week’s episode, we discuss the crazy lengths Warner Bros. is going to to keep spoilers for the new show Lanterns under wraps. Then we review Tony, the new biopic about Anthony Bourdain! Is it as good as Kitchen Confidential … or maybe better? Make sure to swing by on Thursday for our bonus episode on memoirs. Our next book club is, hopefully, starting this weekend; we’re discussing A Sudden Flicker of Light: A Revisionist History of Movies. Make sure to sign up so you can comment along with us about the first seven chapters! And share this episode with a friend!

On this week’s episode we ask if dog peril should join the ranks of considerations for a Restricted rating from the MPA. Then we review The End of Oak Street, a movie with some dog peril that nevertheless earned a PG-13 rating. Make sure to swing by on Thursday for our bonus episode on Anne Hathaway. If you enjoyed this episode, share it with a friend!

This week we reviewed One Night Only (elevator pitch: What if extramarital sex were only legal for one night?), a movie that has been somewhat unfairly maligned by film critics, and discussed director Will Gluck’s feelings about audience discomfort with nudity. It’s a brave new world, folks, we’re just living in it.