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Writers on Film

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Writers on Film
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  • The Pordenone Silent Film Festival with James Harrison and Neil Brand
    Though it was not to acquire its definitive name and identity until the following year, the Giornate del Cinema Muto can date its first edition to 9 to 11 September 1982. Jay Weissberg is the current director of the festival. I spoke with James Harrison from South West Silents. And musician, dramatist and expert Neil Brand. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  • Rear Window with Jennifer O'Callaghan
    Get the book here. The definitive, in-depth look inside the making of Alfred Hitchcock’s Rear Window—the all-time classic of voyeurism, paranoia, and murder that became one of Hollywood’s greatest achievements and turned generations of viewers into “a race of Peeping Toms.” . . .Before the internet and social media offered voyeuristic glimpses into the lives of others, the acclaimed Master of Suspense, Alfred Hitchcock, exposed the dangers and delights of looking—and knowing—too much in his 1954 masterpiece Rear Window. Widely hailed as one of the greatest films ever made, it stars James Stewart and Grace Kelly at the top of their game but, in an unusual gamble, is shot entirely from within a Greenwich Village apartment . . .Using this limited point of view, Hitchcock forces his audience to participate in his protagonist’s voyeuristic impulses and darkest obsessions—a bold move in the era of the Hollywood Blacklist and restrictive Hays Code. But the gamble paid off, and Rear Window became a timeless classic.This eye-opening book goes straight to the source of Rear Window’s genius by mining the original papers of Hitchcock, Jimmy Stewart, and Thelma Ritter, revealing little-known facts behind the Why taking the role of Lisa Fremont was one of the toughest decisions Grace Kelly ever made; How Hitchcock intertwined suspense and romance with inspiration from Ingrid Bergman; How he used a topless scene to distract the censors from other scenes to which they may have objected; and how Hitchcock crafted the film’s unforgettable villain, Lars Thorwald, by modeling him on a producer he loathed—the infamous David O. Selznick. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  • Jonathan Demme by David M. Stewart
    Learn more about your ad choices. Visit megaphone.fm/adchoices
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  • The Malick Hours: BADLANDS
    I talk with Tom Shone about Terrence Malick's first film Badlands (1973), a true crime drama that introduces a new talent and vision to seventies cinema and the world. You can buy the biography of Terrence Malick here The music is Camille Saint Saens - The Carnival of the Animals: Aquarium and is performed by pianos: Neil and Nancy O'Doan and orchestra: Seattle Youth Symphony, conducted by Vilem Sokol. It is reproduced via the following license. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  • Julie Seabaugh on Roast Battles and Marc Maron
    Julia Seabaugh is a writer who has covered the comedy scene for years. She has written A Tight Twenty and Ringside at Roast Battle and has produced a new documentary on Marc Maron, of WTF Podcast fame called "Are We Good?" Find out more about her work here. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Om Writers on Film

Writers on Film is the only podcast to focus on film books and to talk to the best authors working in the area of cinema. From Making Of tomes to biographies, studies to novelisations, author and film critic John Bleasdale is fascinated by where the written word intersects with the world of the big screen. Get bonus content on Patreon A proud part of the Film Stories Podcast Network: www.filmstories.co.uk
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